The old adage never judge a book by its cover rings true in real estate, too.
Two surprise packages on the market are proving a home shouldn’t be prejudged on its unassuming facade, as it could do little to reveal what’s beyond the front door.
An Edithvale pad’s bland front might fool some, but it’s the rest of the 28 Keith Avenue property that holds the real wow factor.
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The front of the home is dedicated to four bedrooms and quiet zones for relaxation and study — these areas a stylish and practical.
And the remainder of the floorplan features an expansive open-plan kitchen, living and dining area under a pitched roof that adds plenty of visual appeal.
The four-bedroom home is on the market with a $1.35-$1.45m price guide.
O’Brien Chelsea agent Kimberley Ferguson said the home offered plenty of “wow factor” at the back.
“This property is in the golden square of Edithvale, in one of the most highly desired spots,” she said.
“It is very unassuming from the front, then you walk through and see the full impact of the home.”
Ms Ferguson said the property had hit the market in the early days of the stage four lockdown as a “sneak peek”, and was ready for viewing as soon as restrictions eased.
She encouraged buyers to get their finances in order and review the Section 32 during lockdown.
“You’re surrounded by other homes of the same calibre,” Ms Ferguson said.
“If you’re looking to enter into a safe, family friendly beachside community, you want a house like this one.”
Another stylish home concealed behind an unassuming facade has been described as “one of Montmorency’s best-kept secrets”.
The four-bedroom pad at 161 Grand Boulevard has a simple square-look rendered facade.
The house features soaring ceilings, treetop views, spacious rooms and modern amenities — not what you’d pick from the first look.
Adding to the appeal is a mud brick studio in the backyard which was made from reclaimed timber and features quirky glass bottle embellishments.
It’s on the market with a $1.15-$1.22m price guide through Jellis Craig Eltham director Scott Nugent.
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